Back Fashion & Style Monday, February 19, 2018
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The Story Behind the Mesmeric, Moving Light Installation at Burberry3h The Story Behind the Mesmeric, Moving Light Installation at Burberry
Christopher Bailey imported an epic artwork from Tasmania for his final Burberry show in London.
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Market Report: Duffle Coats, Reimagined — But Not Too Much9h Market Report: Duffle Coats, Reimagined — But Not Too Much
Six new men’s versions of the timeless toggle coat.
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Baftas red carpet 2018: from Angelina Jolie to Lupita Nyong’o – in pictures28h Updated Baftas red carpet 2018: from Angelina Jolie to Lupita Nyong’o – in pictures
Actors and activists gathered at the Royal Albert Hall wearing all-black outfits in support of the Time’s Up movement sweeping the film industry
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Baftas red carpet: from Angelina Jolie to Lupita Nyong’o – in pictures28h Baftas red carpet: from Angelina Jolie to Lupita Nyong’o – in pictures
Actors and activists gathered at the Royal Albert Hall wearing all-black outfits in support of the Time’s Up movement sweeping the film industry
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Baftas red carpet sees a blackout as women turn light towards equality28h Updated Baftas red carpet sees a blackout as women turn light towards equality
Women dress in black to turn awards ceremony spotlight from clothes to the fight for equality The red carpet was a less colourful place at this year’s Baftas than it used to be, but a much more vibrant and interesting one. An
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Philip Green considers selling Arcadia to Chinese textiles giant32h Philip Green considers selling Arcadia to Chinese textiles giant
Shandong Ruyi looks over books of retail group, thought likely to fetch half its £1bn valuation
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Fashion Review: London Fashion Week Goes Over the Rainbow33h Fashion Review: London Fashion Week Goes Over the Rainbow
Christopher Bailey exits Burberry, J.W. Anderson mixes genders and Simone Rocha ties it all up.
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Designer label Preen launches collection starting at just 65p34h Designer label Preen launches collection starting at just 65p
Catwalk label’s postage stamp collection features Finella dress worn by Duchess of Cambridge Preen, the catwalk label designed by the husband and wife team Justin Thornton and Thea Bregazzi and worn by the Duchess of Cambridge and Gwyneth Paltrow, has launched London fashion week’s most affordable collection, with prices starting at just 65p. However, the bargain buys are the size of a postage stamp – literally. A six-stamp collection celebrating 20 years of the brand has been issued by the Isle of Man, where both Thornton and Bregazzi grew up. The first-class stamp features the red Finella dress
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An Exclusive Look Inside the New Noma39h Updated An Exclusive Look Inside the New Noma
After shuttering his world-famous restaurant for almost a year, René Redzepi is reopening in a new Copenhagen location with architecture by Bjarke Ingels.
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A Costa Rican Paradise, Made to Order for Travelers39h Updated A Costa Rican Paradise, Made to Order for Travelers
The new resort development of Las Catalinas is wooing tourists with its small-town vibe and bohemian-luxe amenities. But can a purpose-built Shangri-La ever feel authentic?
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The big picture: London Fashion Week, February 199841h The big picture: London Fashion Week, February 1998
With the 2018 event now in full swing, we revisit a telling Martin Parr shot from 20 years agoMartin Parr is the kind of quick-witted photographer who catches life on the run, his shutter clicking faster than the human eye can blink. To coincide with London Fashion Week, which began last Friday, here is a deft act of espionage from backstage at the same event 20 years ago. Parr probably didn’t know what he’d snatched until he developed the film and saw that the flustered accidents of a moment had come to rest in a parable, showing how the beauty industry goes about its tortuous, tormenting work. Makeup has already transformed the model into a doll: the waxen complexion, with a sickly jaundiced tone around the eyes, and the pursed, painted lips that are smaller and more infantile than her own. Now the hairdressers take over, knotting and coiling and pinning and teasing, with a can of eco-unfriendly aerosol spray ready to freeze her mane. They are technicians, busy on the assembly line; she is their manufactured product, as glassy-eyed as the lens of Parr’s camera.
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